Description of book
Emmett Brown is as dark as Heathcliff, and as unpredictable. Sometimes he's an inspiration, but not often. He's a man of booze and obsessions: one of them is his 'System', an attempt to bend the laws of probability. But when the lottery numbers and horses fail him, so do love and reason, and he becomes an ogre to his wife and children.
For the innocents - Louisa, Rob, Peter, Daniel and Jessie - the bonds formed hiding in hedges at the end of the street, waiting for the maelstroms to pass, are complex and unbreakable. Over the years, the consequences of Emmett's rages shape both their spirits and psyches, but as he lies dying they discover that love - however imperfect - is the best defence against pain.
THE BOOK OF EMMETT is a novel about hope and love and surviving.
Reviews
“Deborah Forster’s debut novel, THE BOOK OF EMMETT is wonderful ... Immediately engaging, it tells with grace and humour, panache and simplicity the story of a broken family. ... This is a story not of how people are crushed, but the many ways in which they survived. With humour and pain in equal intensity, Forster rips through one family’s search for love and scceptance.”
Jennifer Levasseur, The Sydney Morning Herald
“The central story is not new: a family growing up under the overwhelming shadow of domestic violence, and the generational legacy that entails. But the inventiveness of the telling, the dark seductiveness of the language, and the prickly complexity of the characters make this most familiar of stories original and surprising.”
Jo Case, The Age
“ ... a powerful story. In this mature and strangely uplifting book, Forster neither sensationalises nor trivialises the enormity of the pain for those whose childhoods are denied them.”
Mary Philip, The Courier Mail
“ ... the emergence of a significant literary voice ... an author with a promising future.”
Jay Daniel Thompson, ABR
"Brilliant. A story of such gently savage emotional intensity it stays with you long after you've turned the last page."
Susan Duncan, author of Salvation Creek
“Deborah Forster is a writer in a class of her own. When a book makes you breathless with fear and love for the characters, and says a Kombi van "handles like a dog on lino" you know it's wonderful. Deborah Forster has used an angel's phrasebook to make a story that's as beautiful as hope, as real as truth and as Australian as 50-50 cordial and Tic Toc biccies.”
Kaz Cooke
“In an impressive debut novel that vividly evokes Australia in the 1950s and 1960s, the dark, disturbing experiences are illuminated by innocent and happy ones. The children are wonderful and it’s their indomitable spirits that make this book fly.”
Australian Women’s Weekly.
Forster’s debut novel is a powerful and emotional work that begins with the funeral of Emmett, the main protagonist. Forster has written an emotional tale of domestic violence with simple yet engaging language. Set in the western suburbs of Melbourne, where Forster grew up, the novel traces the complex relationships between brothers and sisters and the love and pain that evolves between them in this house of violence. A tragic book in so many ways, this is a great debut novel with haunting characters and an intensity that will move readers.
Melanie Barton is category manager of fiction for Angus & Robertson
Australian Bookseller & Publisher
Place is integral to this moody, evocative first novel: namely, the ‘blasted landscape’ of Footscray. Looming large over the book and all its characters is the title character, Emmett Brown: abused child and abusive father, emotional and eccentric, prone to sudden, violent tempers and (rare) unexpected bouts of volatile tenderness. The Brown children are bonded tight by the shared experience of surviving life under such a father, long after they have grown up and moved out – but never on.
This novel begins and ends with Emmett’s death and the grown childrens’ struggle to reconcile their mixed feelings. In between, we explore the riddle of Emmett, and follow the evolving lives of the Brown clan. Forster’s great achievement is in making this grim material sing – it is not only terrible, but also loving and often wryly entertaining. The glue of the book is the bond between the siblings, which is rendered in all its complexity; the difficult truth of it is the light and shade that colour the portrait of Emmett.
Tony O'Loughlin, friend of Readings