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  • Published: 30 November 2015
  • ISBN: 9781448197507
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 176

Uncle and the Battle for Badgertown



The sixth book featuring Uncle in this classic series by J. P. Martin.

The sixth book about Uncle, the millionaire elephant who has a B.A. degree, begins with the Badgertown police seizing the belongings of Beaver Hateman, Uncle’s enemy, because he has refused to pay his rates. And it ends with a tremendous fight, using egg bombs and duck bombs, between the Hateman gang and Uncle’s supporters for possession of the Town Hall, and for the Great Mace, chief treasure of Badgertown.

With the help of a new follower, the dog Brass – who has a bark that makes the ears tingle – Uncle continues the exploration of the great castle of Homeward. He opens the baffling Closed Gallery, discovers the fabulous Jewel Room and visits Mrs Witch, who is threatening the trade of Wizard Blenkinsop.

The most hilarious adventures come at Christmas ( the time of year that the author, the late J.P. Martin, loved best) when Uncle goes shopping and attends Dr Lyre’s end-of-term party at the Academy. There is a sing-song round a Christmas tree so big that the guests can climb up into it to get their presents. Of course there is a mysterious gate-crasher hiding in the topmost branches. Who?

  • Published: 30 November 2015
  • ISBN: 9781448197507
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 176

About the author

J P Martin

J.P.Martin was born in Scarborough in 1879. He became a Methodist minister in 1902 and served as a missionary in South Africa and as an army chaplain in Palestine in 1918 at the time when Allenby and T.E. Lawrence overwhelmed the Turks. J.P.Martin and his wife Nancy moved circuits every three years and worked among miners and slum dwellers, as well as among the comfortably off.

He started telling the Uncle stories before the First World War and in 1934 the writers Stella Martin and R.N Currey urged him to write them down; it took thirty years before they got them accepted by Jonathan Cape in the satire rich sixties. Reviewers welcomed each of the six books as they were published between 1964 and 1973 with comparisons to Edward Lear and Alice. The Observer described him as 'a master in the great English nonsense tradition.'

J.P.Martin was 84 when Uncle was published and he charmed everyone on radio and television. He was able to enjoy his late success before he died two years later in 1966.

Also by J P Martin

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Praise for Uncle and the Battle for Badgertown

A riot of nonsense and adventure, may well become a classic in the great English nonsense tradition

Observer

Joyously surreal, set in landscapes full of toffee, deferential choirs of badgers, heavenly water-slides and velvet chairs . . . Their pachydermous protagonist governs a benevolent plutocracy- but the books' great joy is the frequent sly and subtle lampooning of his capitalist pomp

Guardian

The books are very funny, installing a large cast of unlikely characters . . . in a world of mildly squiffy logic . . . And the illustrations are among Quentin Blake’s best work, scrawls and splotches that finally and unarguably distil character. But most important, this is political satire of a high order — Animal Farm for pre-teens, but wittier and more relevant to our own world

Independent

Few books are laugh-out-loud funny; fewer still are the children's books that have you stifling titters on the train . . . Uncle is a brilliantly sustained exercise in nonsense, played with the straightest of faces

Financial Times

You ask any class "Who's heard of Alice in Wonderland" and up goes a forest of hands. Uncle is on the same level and should be more widely read and enjoyed

The Junior Bookshelf

Would make a great gift for literary eccentrics of any age

The Los Angeles Times

I think Uncle stuck with me because of its combination of excess, gadgetry and eccentricity - all of which are modes of being I have attempted to emulate in my adult life. I blame J.P. Martin

Will Self

If there was ever a children's series generating fanatical, "cult" adoration, this is it. And deservedly so

Guardian